In July I began this adventure know as A Year of Projects. The premise is to choose a goal (or several as the case may be) that you wish to achieve over the course of one year and then track your progress with blog posts. Support and camaraderie are found in the Ravely group Come Blog-A-Long where participates share their posts and chat about their successes (and failures) in various threads. It seemed an intriguing way to bring some structure to my otherwise random crafting, plus many of my blogging buddies participated last year and had a really good time. I had the advantage of their experience when I put together my list of goals. The main point taken to not be too lofty in what I think I'm capable of accomplishing. Now that we've just begun our second quarter of activity it seems that a progress report is in order. Let's take a look! What I've Done
What I'm Doing Next
What I Still Have (Want) To Do
What do you think? Does it seem manageable? Giving it careful consideration I remain optimistic that I'll be able to accomplish everything between now and June. I imagine that my biggest hindrance will be getting involved in projects that aren't on the list. In hindsight I realize that I should have chosen a sweater from Dora's book instead of starting the Marlo cardigan, but I like Marlo and I don't want to abandon her - or frog all the progress I've made! There you have it! One quarter down, three to go! I'm having a great time working on my goals and seeing the progress that my friends are making. You can check out what they've been up to here.
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After the Square I've covered a lot of ground since I began learning about the world of granny squares. I started with the history of crochet and granny in Part I, then experimented with variations of the "classic" pattern in Part II. I played with color and learned some basic theory in Part III. Things really blossomed when I 'grew' a garden of flowers in Part IV. I tried my hand at designing squares by creating two patterns - The Pinwheel & Pop-Corn Flower and Clusters to Classic. The flowers and squares inspired me to go even further with a secret project that is nearly ready for it's big reveal. So what's next? That's easy. It's time to meet the Motifs! 
Motif #134 Awesome Interlocking Rings in Lavender, Violet and Black - This one was really fun to make!
When I was making flowers for Part IV, I came to the realization that all granny squares are motifs, but not all motifs are granny squares. In my mind that makes them all part of the same family. I imagine that the square, circle, hexagon, triangle, heart, flower, leaf etc. are all cousins. They share the family characteristic of being a distinctive and recurring form, shape, figure, etc., in a design, as in a painting or on wallpaper (my dictionary definition of motif). In the crochet world motifs are worked individually. They can be used as embellishments or appliques to add flair to anything from lampshades to flip-flops. They can be connected to each other with the 'join-as-you-go' technique that's often used in scarves, blankets and afghans. Or a batch of motifs can be sewn together to form anything from sweaters and ponchos to wrist warmers, cowls, accessories for the home or even as part of a yarn bombing attack! With a bit of ingenuity anything can be fashioned from motifs. Exploring the Many Varieties of Motifs  To guide me in my shapely quest I turned to an outstanding book called Beyond the Square - Crochet Motifs by Edie Eckman. In this inspiring publication there are 144 patterns in five categories - Circles, Hexagons, Triangles, Squares and Other Unexpected Shapes. This spiral bound book (yeah!) has excellent pictures, clearly written patterns and diagrams for each unique design. I decided to choose two from each category (except squares!). It was a tough decision because there are so many cool motifs. I looked for examples that showed open work and lots of close tight stitching in each shape. I changed my mind multiple times throughout the process and of course ended up making more than I set out too! There is so much variety here that I understand why so many people have challenged themselves to make all of them! The only thing that is missing from this book is how to connect the shapes. Initially I wasn't looking for that kind of information. But, as my pile of motifs grew I began to wonder what I was going to do with them. I must not be the only person to ask this question because while I was looking for another book to help me I found that Edie has a new book coming out called Connect the Shapes Crochet Motifs: Creative Techniques for Joining Motifs of All Shapes; Includes 101 New Motif Designs! It's set to be released on October 23rd and I know it's on my Christmas wish list!! Now here's a look at motifs I made. Circles
My husband picked #10 because he thought it looked like a sea anemone! It was interesting to make. Not hard, just lots of chain stitches and working in back loops. I included the shot of the backside to show how much of the Carrot yarn I really used. It's a puffy motif rising about 3/4 of an inch into the air! We like it so much that it's hanging out on the coffee table!
Motifs #8 and #4 are my open or lacy choices. Motif #8 looks more like a star than a circle to me. The stitches around the center that look like picots are really chain 3's worked over a skipped stitch. This was a very quick motif and I can imagine a group of them connected at the points to make a scarf or wrap. Motif #4 is a circle of cluster stitches. I'm not crazy about the colors (that's why I switched for the others!) but I do like it's overall look and I like making the clusters! Triangles
Motif #60 was a blast to make! It's simple stitches (sc, dc and ch), but you make the corner chain loops as you go and on the final round you weave them together to get that great raised interlocking loop effect. Not hard, but a really interesting technique! Motif #62 was one of the trickier ones in the group. I think because you did something completely different in each round, and that means paying close attention to your work! Overall I find it pleasing to the eye. Hexagons
The hexagons feel closest to the square to me. I think that might be because they seem easier to connect to make a large piece like an afghan. Both of these were simple to make and I understand why so many people are drawn to them. Looking at #37 I just noticed a daisy in the light blue! Unexpected Shapes - Hearts
I enjoyed the challenge of making these unique shapes. Because they are not symmetrical in the way that I am used to it was fascinating to watch the shapes develop. Motif #143 at the top of the page was also fun and challenging. I can envision a scarf made from a row of interlocking rings in a rainbow mix of colors with the border done in either black or white! I have to say that I love making motifs. Much more so today than when I started this grand adventure! Making each of these individual works of art has increased my repertoire of stitches, strengthened my ability to decode and decipher patterns and improved my overall crochet technique. While weaving in ends is still not my favorite thing I no longer dread the task and actually have become quite deft at securing those little devils! Each round presents a new set of instructions and I am intrigued with the way stitches work together to create different effects. Ruffly, woven, traditional, open, lacy, bumpy, smooth anything is possible! I still have no idea what I am going to do with ever expanding collection of motifs. For the time being I am content to collect them in a basket in the living room where I can admire them anytime I want!!
Thanks so much for coming by and spending part of your day with me!
Until next time friends, Be blessed and stitch & read with love! Clusters to Classic 
The Pattern Skill: Advanced Beginner Yarn: Peaches & Cream Cotton in Candy (A), White (B) and Bright Pink (C) Hook: US H/8 - 5.00 MM Finished Size: 5 3/4" x 5 3/4" (unblocked) Stitches Used: ch, sc, dc, dc2tog, dc3tog, sl st (all stitches are US terms) Special Stitches: Dc2tog: Yo, insert in next st/sp, yo, draw up a loop, yo, pull through 2 loops on hook (2 loops remain on hook), yo, draw up a loop, yo, pull through 2 loops on hook (3 loops remain), yo, pull through all 3 loops on hook to complete cluster. Dc3tog: Yo, insert in next st/sp, yo, draw up a loop, yo, pull through 2 loops on hook (2 loops remain on hook), yo, draw up a loop, yo, pull through 2 loops on hook (3 loops remain), yo, draw up a loop, yo, pull through 2 loops on hook (4 loops remain), yo, pull through all 4 loops on hook to complete cluster. With A, ch 6, join with sl st in first ch to make ring. Rnd 1: With A, ch 1, 8 sc in ring, join with sl st to first sc. Rnd 2: With A, ch 3, dc2tog in first sc (count as dc3tog), (ch 1, dc3tog in nxt sc) 7 times, ch 1, sl st in top of first cluster to join. Fasten off A. Rnd 3: Join B in any ch 1 sp, ch 3 (count as dc), 2 dc in same sp, ch 2, (3 dc, ch 2) in each ch 1 sp around, join with sl st in top of beg ch 3. Fasten off B. Rnd 4: Join B in any ch 2 sp, ch 3 (count as dc), 4 dc in same sp, ch 1, *5dc in nxt ch 2 sp, ch 3**, 5 dc in nxt ch 2 sp, ch 1, rep from * 2 times and from * to ** once more, join with sl st in top of beg ch 3. Fasten off B. Rnd 5: Join C in any ch 3 sp, ch 3 (count as dc), (1 dc, ch 2, 2 dc) in same sp, *ch 2, 1 sc in 3rd dc of 5 dc group, ch 2, 1 sc in nxt ch 1 sp, ch 2, 1 sc in 3rd dc of 5 dc group, ch 2**, (2dc, ch 2, 2 dc) in nxt ch 3 sp, rep from * 2 times and from * to ** once more, join with sl st to top of beg ch 3. Rnd 6: With C, ch 1 starting in same st, *1 sc in each of nxt 2 dc, (2 sc, ch 2, 2 sc) in nxt ch 2 sp, 1 sc in each of nxt 2 dc, [2 sc in nxt ch 2 sp, 1 sc in nxt sc] 3 times, 2 sc in nxt ch 2 sp, rep from * around, join with sl st to first sc. Rnd 7: With C, ch 1, stating in same st, [1 sc in each sc, (2 sc, ch 2, 2 sc) in each ch 2 sp] around, join with sl st to first sc. Fasten off C. Weave in ends. Block if desired. Coming Attractions
I am so excited to share these new patterns with you! The response has been fantastic and I can't wait for one of you to give them a test run and let me know how it goes. I took notes as I was working, and hopefully did a fair job of transferring them into a pattern that you can work with. If something isn't right, or you have a suggestion that makes it easier to understand, please let me know. Pattern writing is tricky and I can always benefit from another set of eyes!!
I took the weekend off of the computer to concentrate on my hook work, and I'm thrilled with the progress that I made. Both with writing new patterns and on the next installment of the Granny Square Project - which really go together. Here is a sneak peak at my craft journal and some of the notes that went into coming up with the pansy design that is the feature of my next project. The classic granny is a sample of the accent squares that accompany the pansies. It's setting up to be a productive week. This morning brought the crisp tingle of fall, and the prospect of wrapping myself in a new shawl and finally being able to enjoy the cardigan I finished at the beginning of summer has me energized and ready to go! I'm including today's post as part of the fun on Come Blog-a-long and A Year of Projects. It's not the next "official" installment of the GSP, but it was definitely inspired by it and in my book that counts!! Click on over and see what good stuff my bloggy buddies have been up to! Thanks so much for stopping by and spending a bit of your day with me. Until next time friends, Be blessed and stitch & read with love! Flowers always make people better, happier and more helpful; |
Petite Flower
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Variation Adrienne Square
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Flower Garden Square XII
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Granny squares are incredibly versatile. Because they are worked in the round they easily lend themselves to creating images that resemble flowers. In a solid color the design is subdued, but clearly visible. When you start adding color, they jump right out at you. I love that you can use bold and vivid colors as effectively as those that represent what the flower "really" looks like. When I first started on this segment I was trying to use the colors in the pattern, but quickly realized that it was more fun to mix and match from the stash. There were surprises along the way. Like teal and orange - they're complimentary on the wheel but to me it just seemed wrong, until I tried it!
All of the squares are made with Herrschner's Worsted Acrylic and my trusty H hook. The patterns are all from The Granny Square Book which is proving to be a reliable and rich resource for me. I like that they all have a chart to compliment the written instructions. Using both has helped build my confidence in working from a diagram, something I've shied away from. The only shortcoming I've found is that there are no dimensions on any of the squares. I realize that hook and yarn size make a difference, but it would be nice to know based on the materials that were used. As it turns out I have many different sized grannies. I was hoping to make a sampler blanket with them, but that seems unlikely. Unless any of you have a suggestion. Please don't be shy - tips and pattern ideas are always welcome!!
All of the squares are made with Herrschner's Worsted Acrylic and my trusty H hook. The patterns are all from The Granny Square Book which is proving to be a reliable and rich resource for me. I like that they all have a chart to compliment the written instructions. Using both has helped build my confidence in working from a diagram, something I've shied away from. The only shortcoming I've found is that there are no dimensions on any of the squares. I realize that hook and yarn size make a difference, but it would be nice to know based on the materials that were used. As it turns out I have many different sized grannies. I was hoping to make a sampler blanket with them, but that seems unlikely. Unless any of you have a suggestion. Please don't be shy - tips and pattern ideas are always welcome!!
Three Dimensional Flowers Add Texture to the Garden
Square VI
Square III
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Square V
Square VII
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This bunch of flowers were interesting and educational. I was surprised by how easy it is to create three dimensional designs. For the most part, you use basic stitches like sc, dc, tr and chains. Working them into "clusters" or "groups" produces petals that are puffy, pointy or loopy! In Square VII the unique petals are created by wrapping the yarn over the hook 10 times and pulling through a loop to make the bullion stitch. I was intimidated at first, but I persevered. It was awesome to watch the flowers bloom!
I've found that I can crochet all kinds of things when I take my time. If I over think, or try to anticipate what's next I mess up. Sometimes the instructions are confusing and don't make sense. When that happens I don't let it stop me from trying. I remind myself to have faith and only work one stitch at a time. Usually that does the trick and as the stitches come together the pattern becomes clear.
I've found that I can crochet all kinds of things when I take my time. If I over think, or try to anticipate what's next I mess up. Sometimes the instructions are confusing and don't make sense. When that happens I don't let it stop me from trying. I remind myself to have faith and only work one stitch at a time. Usually that does the trick and as the stitches come together the pattern becomes clear.
What's in a name?
That which we call a rose would by any other name smell as sweet.
- William Shakespear, Romeo and Juliet
Irish Rose
Rose of Sharon
Picot Rose
Roses have been in existence for 32 million years, and have been used for many reasons throughout history. In Victorian times the language of flowers (floriography), was a means of communication using various flowers and floral arrangements to send coded messages. This allowed people to express feelings which otherwise could not be spoken. They were most commonly communicated through "Tussie-mussies"' or small, round bouquets of herbs and flowers with symbolic meanings.
In crochet, roses are perhaps the most popular flower motif. And like their organic namesake there are numerous varieties available. We don't think of them as having the same kind of meaning, but giving a gift of a blanket covered in blossoms would surely show your love and affection for the recipient!
In crochet, roses are perhaps the most popular flower motif. And like their organic namesake there are numerous varieties available. We don't think of them as having the same kind of meaning, but giving a gift of a blanket covered in blossoms would surely show your love and affection for the recipient!
Picot, Irish and Sharon - My 3 Roses
I chose these three patterns because they each utilize a different technique. I think the Irish Rose looks the most realistic. I was frustrated with my inability to make the square straight. I'm certain that I followed the pattern exactly (stitches were counted repeatedly!), but it just doesn't seem right. I imagine with a different fiber and blocking the situation could be rectified, but there must be another solution. I've had this happen with other squares. Does anyone know why? I'd love to be hear your tricks for making squares square. The Rose of Sharon was a snap to make. I didn't realize I was such a fan of the popcorn stitch, but it turns out I am! This would make an excellent pot holder/hot plate if done in wool or something that doesn't melt! The Picot Rose is John's favorite. Not because it looks like a rose (it doesn't!) but because of the colors. This one was also a treat to make. The long corner stitches were a mistake, but if I didn't tell you I bet you wouldn't have known!!
Sowing the Seed of Inspiration
For the past two weeks I have been happily stitching away growing a wonderful garden of granny square flowers. With every one that I finished I felt the satisfaction of creating a piece of crochet art. As I was selecting colors I tried to examine all my options, and use new combinations. Some I loved and others not so much, but I was willing to take chances regardless of the result. I moved outside my comfort zone.
This installment has had a tremendously positive impact on my stitching skills. I understand more about how they work individually and when you group them together. Crochet (and I imagine knitting) is a craft driven by math. We count stitches, elements are worked in multiples, even the way pattens are written resembles an algebraic equation. And when you think about it all motifs are geometric in design. Math like this makes sense to me. It's orderly.
With my improved understanding and confidence I have been inspired to try something new. I'm going to design my own granny square flower. Until this week I was completely content to let someone else tell me what to do. But this is different. Not only can I see what I want to make, but I know what to do (I think!) to make it happen. I'm so excited! I can't wait to get started - and to share the whole thing with you next time!!
This installment has had a tremendously positive impact on my stitching skills. I understand more about how they work individually and when you group them together. Crochet (and I imagine knitting) is a craft driven by math. We count stitches, elements are worked in multiples, even the way pattens are written resembles an algebraic equation. And when you think about it all motifs are geometric in design. Math like this makes sense to me. It's orderly.
With my improved understanding and confidence I have been inspired to try something new. I'm going to design my own granny square flower. Until this week I was completely content to let someone else tell me what to do. But this is different. Not only can I see what I want to make, but I know what to do (I think!) to make it happen. I'm so excited! I can't wait to get started - and to share the whole thing with you next time!!
The Granny Square Project is a series chronicling my exploration into the world of granny squares that I'm doing as a member of the Come Blog-A-Long group on Ravelry. We’re all working on different things as part of A Year of Projects and come together once a week to share our stories. Please stop by to learn more about YoP and to see what everyone has been up to.
If you’re interested in reading the other installment in the series I’ve placed buttons on my sidebar for easy browsing.
Thank you so much for stopping by and taking a stroll through Granny's garden with me. I'm having a fantastic time with this and I hope you are too! In addition to sharing with my friends at YoP I'll be linking up with these other wonderful bloggers. Be sure to stop by to see some amazing talent!
If you’re interested in reading the other installment in the series I’ve placed buttons on my sidebar for easy browsing.
Thank you so much for stopping by and taking a stroll through Granny's garden with me. I'm having a fantastic time with this and I hope you are too! In addition to sharing with my friends at YoP I'll be linking up with these other wonderful bloggers. Be sure to stop by to see some amazing talent!
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Until next time friends,
Be blessed and stitch & read with love!
Do you have a suggestion for what I can do with all my different sized squares? What about a tip on how to make an unruly square - square? or Maybe you have a hint for a first time motif designer?!
Don't be shy! I love hearing from you!
Be blessed and stitch & read with love!
Do you have a suggestion for what I can do with all my different sized squares? What about a tip on how to make an unruly square - square? or Maybe you have a hint for a first time motif designer?!
Don't be shy! I love hearing from you!
Brilliant sunshine and a gentle breeze held the promise of a lovely day.
We had errands to run and an appointment to keep. I knew there would be plenty of time spent waiting, so I decided to bring Sweet Eleanor along and make the most of the free crochet time! While we were out we took advantage of the beautiful weather and a little of the local art and history.
 Eleanor couldn't resist getting in on the action and showing her support!  Her colors tell of the fall to come. In New England you always find a cannon in the town common. I'm not sure why, but it's a bit of history to enjoy.  Back to the station to wait for the bus to take us home. We really had fun taking pictures and enjoying the morning together. It's amazing how much history and art surrounds us when you slow down and take a look.  | This wheelchair and crutches sculpture on the common (in Greenfield, MA) caught our eye. It was created by James Kitchen on commission for the Stavros Center for Independent Living to make a statement about freedom for people with disabilities.  Old Glory and Eleanor both blowing in the warm summer breeze!  A shady bench was a welcome break for John and Eleanor (and me too!)  Once we're home, it's flower time! I was hoping to have Part IV of the Granny Square Project finished. As it turns out, this installment is much more about "doing" than research and that just takes more time! I'm sure it's going to be worth it! Please look for it later in the week. If you haven't seen it yet there are links to Parts I, II and III in my sidebar. |
Thanks so much for stopping by and spending a bit of your day with me. One of the best parts about blogging is linking up with other crafters and sharing our progress, projects, successes and even failures. This week I found a new place to hang out - with Tara at the Trendy Treehouse. While you're out and about please stop by her place or any of these other terrific blogs to see creativity in action!
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After you're done visiting, why not check out your community and see what bits of history or art you can find. I bet it's there if you look closely. And don't forget to take your project along! I know they enjoy a day out just as much as we do.
So glad to share this time with you! Until next time friends,
Be blessed and stitch & read with love!
So glad to share this time with you! Until next time friends,
Be blessed and stitch & read with love!
A Sneak Peek at Granny's Garden
The Granny Square Book for inspiration, and my craft journal.
Greetings and salutations friends! I'm so glad you're stopping by today. As you can see, Granny has taken over as I've been busy preparing for the next installment of the Project. In Part IV my focus is more on finished squares so that means lots of happy hooking this weekend!
I'm truly overwhelmed (in a good way!) by the amazing amount of encouragement, support and positive feedback that I have received for this series. I'm having a fantastic time learning new things and sharing them with you. Thank you so much for reading and commenting. Knowing that you're there each week keeps me motivated and inspires me to do the best work I can.
The square that you see here is known simply as Flower Garden Square VI from The Granny Square Book. Join me next week for Part IV and I'll tell you all about it and the other lovelies that are growing in Granny's Garden!
I'm truly overwhelmed (in a good way!) by the amazing amount of encouragement, support and positive feedback that I have received for this series. I'm having a fantastic time learning new things and sharing them with you. Thank you so much for reading and commenting. Knowing that you're there each week keeps me motivated and inspires me to do the best work I can.
The square that you see here is known simply as Flower Garden Square VI from The Granny Square Book. Join me next week for Part IV and I'll tell you all about it and the other lovelies that are growing in Granny's Garden!
In addition to my fiber offerings, I like to participate in Five Minute Friday over at Lisa-Jo Baker's place. It's writing in the raw and if you've never done it, why don't you give it a try? It's really easy - you just:
1. Write for 5 minutes flat on this week's prompt with no editing, no over thinking, no backtracking - then post it just as it is!
2. Link back here and invite others to join in.
3. And then absolutely, no ifs, ands or buts about it, you need to visit the person who linked up before you & encourage them in their comments. Seriously. That is, like, the rule. And the fun. And the heart of this community..
Here's what happened when I spent five minutes writing on the prompt "Join"
Putting together. Attaching. Creating a whole out of parts. These are all ways to describe “join”. With all of my recent work with the granny square I’m thinking about different methods for joining them. The whip stitch, a chain stitch, a mattress stitch or perhaps the invisible join?? Always options for creating a connection.
And now I think of all the pieces of my life that have been pieced together to make me who I am today. And of my friends and family and how I am connected to each of them in a way that is similar, yet different.
We are the sum of our parts. Some of our connections are strong while others are fragile and fraying. I know that I am more because of each one of these bonds. I am a beautiful, multi-colored, vibrant granny square blanket. Each square is an experience, a moment or milestone. And I am joined together with yarn made of hope, faith and love.
So there you have it. I know "time flies" is a bit cliche but it doesn't stop it from being true! Today before it escapes completely I'll be linking up with these wonderful bloggers, and stopping by to see what kind of fun everyone has been up to. I hope you'll join me.
1. Write for 5 minutes flat on this week's prompt with no editing, no over thinking, no backtracking - then post it just as it is!
2. Link back here and invite others to join in.
3. And then absolutely, no ifs, ands or buts about it, you need to visit the person who linked up before you & encourage them in their comments. Seriously. That is, like, the rule. And the fun. And the heart of this community..
Here's what happened when I spent five minutes writing on the prompt "Join"
Putting together. Attaching. Creating a whole out of parts. These are all ways to describe “join”. With all of my recent work with the granny square I’m thinking about different methods for joining them. The whip stitch, a chain stitch, a mattress stitch or perhaps the invisible join?? Always options for creating a connection.
And now I think of all the pieces of my life that have been pieced together to make me who I am today. And of my friends and family and how I am connected to each of them in a way that is similar, yet different.
We are the sum of our parts. Some of our connections are strong while others are fragile and fraying. I know that I am more because of each one of these bonds. I am a beautiful, multi-colored, vibrant granny square blanket. Each square is an experience, a moment or milestone. And I am joined together with yarn made of hope, faith and love.
So there you have it. I know "time flies" is a bit cliche but it doesn't stop it from being true! Today before it escapes completely I'll be linking up with these wonderful bloggers, and stopping by to see what kind of fun everyone has been up to. I hope you'll join me.
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This week I'm also joining in with Tricia and her Stash Bash. Click over for a peek!
Thanks so much for stopping by and spending a bit of your day with me.
Until next time friends,
Be blessed and stitch & read with love!
Thanks so much for stopping by and spending a bit of your day with me.
Until next time friends,
Be blessed and stitch & read with love!
Color is the place where our brain and the universe meet.
Paul Klee, Swiss Expressionist painter 1879-1940
Color – It surrounds us and plays a significant role in nearly every aspect of our lives. It affects our emotions, moods and desires. Color tells us what to do, “Stop at the red light”. How we feel, “Boy she’s got the blues” and how our finances are doing, “Thank goodness we’re in the black this month!” Advertisers use it to sell their products and to create brand recognition – we all know what color a can of Coke is. It's even used to demonstrate excellence as we saw at the recent Olympics where everyone was going for the gold!
| | Can you imagine if our world was devoid of color? A black and white existence? In the movie Pleasantville the main characters find themselves trapped in a black and white TV show set in the seemingly idyllic 1950’s. It’s only when they begin to experience raw emotions and raise questions about what lies beyond what they know that we see color brighten, enhance and expand their world. |
When I decided to write about color I didn’t have a real plan. As I began my research it became clear that there was a lot of information available. With so many qualified experts only a click away it seemed silly for me to try to educate you on the many facets of color. Instead, I decided to share with you some of the information that I found interesting and useful to me as a crafter.
Harmony and the Wheel
I am quite taken with the color wheel. To me it represents the science of color, and I can relate to the orderly way it presents information and options. After just a bit of study I can talk with (some) confidence about hue, tint, tone and shade. I know the difference between warm and cool colors. Color harmony or themes however struck me as an incredibly important concept, and it seems that an understanding of this would be useful in working with granny or any project.
The original color wheel is attributed to Sir Isaac Newton in 1704 which he discovered through his experiments with light and prisms. It provides us with several formulas for creating balance and harmony. I imagine that we use them often without realizing there is a name for our choices!
Here is a list of the most common themes and how they're made:
Monochromatic – use various values within the same color family
Analogous – 3 or more colors side by side on the wheel
Complimentary or Direct Complimentary – are colors that appear opposite each other on the wheel
Split Complimentary – one color paired with 2 colors on either side of the color's direct complement creating a theme containing 3 colors
Double Compliment – 2 sets of complimentary colors that sit next to and across from each other on the wheel forming an X
Tetrad – 4 hues equal distance from one another forming a square or rectangle on the wheel
Diad – 2 colors located 2 steps apart on the wheel skipping the color in between
Triad – 3 colors equally spaced apart from one another forming an equilateral triangle on the wheel.
The original color wheel is attributed to Sir Isaac Newton in 1704 which he discovered through his experiments with light and prisms. It provides us with several formulas for creating balance and harmony. I imagine that we use them often without realizing there is a name for our choices!
Here is a list of the most common themes and how they're made:
Monochromatic – use various values within the same color family
Analogous – 3 or more colors side by side on the wheel
Complimentary or Direct Complimentary – are colors that appear opposite each other on the wheel
Split Complimentary – one color paired with 2 colors on either side of the color's direct complement creating a theme containing 3 colors
Double Compliment – 2 sets of complimentary colors that sit next to and across from each other on the wheel forming an X
Tetrad – 4 hues equal distance from one another forming a square or rectangle on the wheel
Diad – 2 colors located 2 steps apart on the wheel skipping the color in between
Triad – 3 colors equally spaced apart from one another forming an equilateral triangle on the wheel.
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I made these squares to demonstrate different ways to create harmony. At first I wasn't sure how I felt about the purple, orange and green, but the wheel doesn’t lie, and in fact it has grown on me! In addition to the themes the wheel generates, nature is an outstanding source for telling us what colors go together. A walk in the woods, a sunrise or sunset, plants and animals - they all offer us suggestions for making the most of our colors. When you think about it, nature is the true source of our color - sun reflecting through drops of water to create a rainbow, and dyes made from plants are at the root of all we enjoy today! |
Granny in Color
Grannies are excellent for experimenting with color. Making a square with potential colors for a project is a good way to see if they’ll live harmoniously or create a disturbance. It’s interesting to see how different colors effect one another. Take a look at these four squares. They all have the same blue center, but the outside color makes each one look and feel different. The placement of colors is important. Deciding what goes where will have a big impact on your project.
There are patterns for granny projects that use color in many ways. In pastels for babies, primary colors for kids and in varying shades to create an ombre effect. I’ve seen blankets that look like vibrant stained glass windows and that resemble a garden of wildflowers. I noticed on Pinterest that white is a popular boarder color, while the blankets from my childhood were done with black. If you’re designing your own afghan it can be hard to decide which color goes where. Creating random balance is harder than it seems! Check out The Granny Square Color Pattern Generator. Choose your colors (using a color wheel!), the number of colors per square and the number of squares in your blanket. Voila! It generates a pattern that is aesthetically pleasing - no spread sheets required!
Expanding Horizons
In the end, it all comes down to personal preference. We think about who we’re making the project for, how they will use it. What feeling are we trying to covey? Warm and cozy, bright and energetic, young and fresh or classic and timeless. The possibilities are as endless as our imagination.
Spending time learning about color has been a great experience. It has opened my eyes and made me curious. I’m interested in trying new combinations and expanding my horizons beyond my comfort zone. And granny is just the girl for me. With so many different ways to make the square, it is a small canvas where I can create with any colors I want. No matter what the wheel says!
Thanks so much for stopping by today. I hope that you enjoyed my adventures in color as much as I did and maybe you have been inspired to do some exploration on your own. Some of the sites that I used are:
Sensational Color, Pantone, CrochetCabana, Visual.ly, and The Psychology of Color.
Spending time learning about color has been a great experience. It has opened my eyes and made me curious. I’m interested in trying new combinations and expanding my horizons beyond my comfort zone. And granny is just the girl for me. With so many different ways to make the square, it is a small canvas where I can create with any colors I want. No matter what the wheel says!
Thanks so much for stopping by today. I hope that you enjoyed my adventures in color as much as I did and maybe you have been inspired to do some exploration on your own. Some of the sites that I used are:
Sensational Color, Pantone, CrochetCabana, Visual.ly, and The Psychology of Color.
I’m a member of the Come Blog-A-Long group on Ravelry and The Granny Square Project is my contribution to a Year of Projects. We’re all working on different things and come together once a week to share our stories. Please stop by to see what everyone has been up to.
If you’re interested in reading more about The Granny Square Project I’ve placed buttons on my sidebar for easy browsing.
Please join me next time for Part IV – Granny Flowers.
Until then friends I hope your day is filled with color!
Be blessed and stitch & read with love!
If you’re interested in reading more about The Granny Square Project I’ve placed buttons on my sidebar for easy browsing.
Please join me next time for Part IV – Granny Flowers.
Until then friends I hope your day is filled with color!
Be blessed and stitch & read with love!
Defining Granny
Five Examples of the Classic Granny Square
I began with a look into granny's history. Now, it's time to find out more about her. The classic, the traditional, the one that started it all! There are many definitions, but it all comes down to this:
A granny square is a crochet motif worked in the round from a center circle. Clusters of stitches are worked into the center and connected by chains. A square is formed when a group of stitches are worked into the connecting chains (chain spaces).
I know that it seems crazy, but it works! Continue adding rounds of clusters and chains and the square grows and grows!
If you search "Granny Square" in Google you get more that 3 million results. There are tutorials, blog posts, YouTube how to's and pictures galore. But there's not a standard pattern.
A granny square is a crochet motif worked in the round from a center circle. Clusters of stitches are worked into the center and connected by chains. A square is formed when a group of stitches are worked into the connecting chains (chain spaces).
I know that it seems crazy, but it works! Continue adding rounds of clusters and chains and the square grows and grows!
If you search "Granny Square" in Google you get more that 3 million results. There are tutorials, blog posts, YouTube how to's and pictures galore. But there's not a standard pattern.
In the three books that I'm using today, they all agree that a classic granny is made using three stitches: Chain Stitch (ch); Double Crochet (dc); and the Slip Stitch (ss), and that a beginner who is comfortable with these stitches and working in the round will easily be able to master the square.
That's about all they agree on. Each shows the classic worked in a different number of rounds (3.4 or 5), using a variation of the elements that define a granny.
Since I am a novice when it comes to making squares of any kind, and my mission is to learn, explore and share what I find, the easiest way to get started is jump right in. I set to making a classic granny following Margaret Hubert's pattern from the Granny Square Book. I'm happy to say that success was achieved and Granny #1 was born. But I still didn't understand why there isn't one, standard pattern. I decided to see what happens when I try my own variations. Add a chain, use a different corner you get the idea. I wonder, how much will changing one little element effect the overall look of granny?
That's about all they agree on. Each shows the classic worked in a different number of rounds (3.4 or 5), using a variation of the elements that define a granny.
Since I am a novice when it comes to making squares of any kind, and my mission is to learn, explore and share what I find, the easiest way to get started is jump right in. I set to making a classic granny following Margaret Hubert's pattern from the Granny Square Book. I'm happy to say that success was achieved and Granny #1 was born. But I still didn't understand why there isn't one, standard pattern. I decided to see what happens when I try my own variations. Add a chain, use a different corner you get the idea. I wonder, how much will changing one little element effect the overall look of granny?
The Experiment
I made 5 grannies. For each of them I used the same H-hook, Herrschners #4 worsted acrylic yarn, and I worked them in 4 rounds. Take a look... (Click on the picture on the left to see the pattern details.)
     |      |
The results - A stitch really does make a difference! Of course you can see the similarities, but the differences are fairly substantial. It's all comes down to preference. You can choose your pattern depending on the look and feel you're after in your project.
What Does it all Mean?
It means a few things. I understand why there are so many different patterns, and even definitions for granny. I always thought of it as one thing. The Granny Square. But that's not right. It is a technique or maybe a genera. The granny square is as unique as the person who is making it, and there is no right or wrong way to make it. Something as grand as granny can not be limited to only one pattern. It's like saying there is only one way to make chocolate cake. We all have a favorite recipe. Maybe one that was handed down through the generations. But no matter which recipe you follow, chocolate cake is good. It's the same with the granny square. Open and airy, tight with crisp corners, full and slightly rounded - the way that it looks is only limited by your imagination and willingness to experiment. With such a great capacity for change and individual style it's no wonder that the granny square is as popular as ever.
I hope that you enjoyed Part II of The Granny Square Project. This series is part of A Year of Projects, a group that I'm taking part in on Ravelry. Please check it out to see the amazing work being done by other fiber enthusiasts.
Join me next time for Part III. I'll be taking a look at color and the impact it has on granny. The books that I used to help put together this post are: The Granny Square Book by Margaret Hubert, Beyond the Square Crochet Motifs by Edie Eckman and The Woman's Day Book of Granny Squares and Other Carry-Along Crochet from Fawcett Publications, 1975.
Thanks so much for stopping by. Before you go, do you have a go-to granny pattern? Who taught you how to make granny squares? I'd love to hear your favorite pattern story!
Until next time friends,
Be blessed and stitch & read with love!
In case you missed it, here's a link to The Granny Square Project - Part I: Born of Necessity, Raised to an Icon
Join me next time for Part III. I'll be taking a look at color and the impact it has on granny. The books that I used to help put together this post are: The Granny Square Book by Margaret Hubert, Beyond the Square Crochet Motifs by Edie Eckman and The Woman's Day Book of Granny Squares and Other Carry-Along Crochet from Fawcett Publications, 1975.
Thanks so much for stopping by. Before you go, do you have a go-to granny pattern? Who taught you how to make granny squares? I'd love to hear your favorite pattern story!
Until next time friends,
Be blessed and stitch & read with love!
In case you missed it, here's a link to The Granny Square Project - Part I: Born of Necessity, Raised to an Icon
Born of Necessity, Raised to an Icon
The Granny Square. For many of us the name elicits memories of colorful afghans and outrageous fashions that helped define the 70s. But who is she and where did she come from? To understand we need to take a look at the history of crochet to find where granny fits in.
A Crochet Timeline
      | Early Centuries: Man creates handwork for practical purposes using materials like strands of woven fiber, cords or strips of cloth. Hunters and fishermen make knotted fishnets, openwork cooking utensils, knotted game bags and animal traps. Handwork is expanded to include decorations for ceremonial costumes, religious rites, celebrations, marriages and funerals. 1500s: European royalty and the wealthy lavish themselves in lace made with a needle and/or bobbin. Some believe that in Italy Nuns are doing a form of crochet called “nun’s work” or “nun’s lace” making textiles for the church. 1700s: It is accepted by many that crochet developed from a type of Chinese needlework; an ancient form of embroidery that reached Europe in the 1700s and became known as Tambour. By the end of the 1700s Tambour evolves into what the French call “crochet in the air”. (“Croche” is Middle French for hook). Early 1800s: Crochet becomes “the poor man’s lace” and experiences a surge in popularity thanks to Mlle. Riego de la Branchardiere who turns old style needle and bobbin patterns into crochet patterns. In 1824 the first pattern is published and Mlle. de la Branchardiere joins in publishing many pattern books making them available to legions of women. One of her books, Knitting, Crochet and Netting with 12 Illustrations originally published in 1846 is available today as a free e-book, as is The Ladies Work-Book. 1845-1850: Irish workers (men, women and children) are organized into crochet cooperatives during the potato famine making fine lace for the wealthy. They rely on the earnings to survive and emigrate from Ireland. 1845-1859: Two million Irish immigrate to America (four million by 1890) bringing with them their vast experience with crochet. American women who are already adept at spinning, weaving, knitting and quilting add crochet to their repertoire. 1897: A pattern called “Patchwork Square” is printed in Weldon’s Practical Needlework, published by The Weldon Company of London. The description indicates that it is good way to use up scrap and leftover bits of yarn which can then be sewn together into an afghan, rug or baby blanket. A look at the picture shows what we know today as the Traditional Granny Square!! It is my belief that creative women were already making grannies, but this has come to be accepted (by many) as the first time we see the pattern in print. Up to this time we see many patterns for lace accents, lamp mats and shades, doilies, antimacassars and even bird cage covers! But, crochet is changing, and it’s no longer just the poor man’s lace. As we enter the 1900s – 1930 we see women crocheting afghans, slumber rugs, travel rugs, sleigh rugs, tea cozies and water bottle covers, as well as the now standard dishcloths and potholders. In The Handbook of Wool Knitting and Crochet (also available as a free e-book), originally published in 1918 you'll find a well rounded selection of these patterns. Following the stock market crash in 1929 and the resulting economic depression, resources and goods are limited and women are forced to find new and creative ways to meet the needs of their families. Old and worn sweaters are ripped apart and the yarn is steamed for reuse. Every bit of fiber is saved, and it is here that we see the matriarch (Granny) leading the way and turning the otherwise useless bit and scraps into squares to be stitched together making blankets and other necessary items for her family. We don’t know who coined the name Granny Square, but we do know that what was once made out of necessity is made today because of its timeless versatility and style. |
Granny becomes an Icon?
  | The granny square has come so far that you can find them in the Smithsonian Museum, in the afghan that graced the back of the couch on the sit-com Rosanne (1988 – 1997). They can even be found in high fashion making their way down the catwalks as designers Henry Holland and Christopher Kane made them the focal point of their collections last year. I venture to say that the granny square is an iconic symbol of crochet. Most everyone (of a certain age) had a granny square afghan, or knew a family member or friend who did. Ask anyone what crochet is and I bet they’ll think of a granny square – even if they don’t know what it’s called. I once had a knitter friend tell me that until she met me and saw all the things I made, when she thought of crochet she only thought of the granny square! When I asked for your help in choosing my next project I had no idea what I was getting into! As I started looking at patterns I realized how diverse and plentiful they are. However, the history of crochet and in turn the granny is vague at best. Through interviews, books and reputable websites I’ve created this timeline. I’ve done my best to present accurate, factual information. Any mistakes or misinterpretations are mine. |
I hope that you enjoyed Part I of The Granny Square Project. A series that I'm working on as part of A Year of Projects over on Ravelry.
Now that I’ve taken a look at where granny comes from, I’m ready to see what she’s made of. From the traditional pattern to the mulitlayered, the bobbled to the hexagon. Whatever stitch combinations you can imagine, someone has made it into a granny square! Please join me next week for Part II. Who knows what I’ll discover next!
Thanks for stopping by friends! Until next time,
Be blessed and stitch & read with love!
Did you have a granny afghan on your couch? How about a vest or poncho? Was there a granny maker in your life? Do you know who gave granny her name or about her origin? Please share your story with us in the comment section.
Now that I’ve taken a look at where granny comes from, I’m ready to see what she’s made of. From the traditional pattern to the mulitlayered, the bobbled to the hexagon. Whatever stitch combinations you can imagine, someone has made it into a granny square! Please join me next week for Part II. Who knows what I’ll discover next!
Thanks for stopping by friends! Until next time,
Be blessed and stitch & read with love!
Did you have a granny afghan on your couch? How about a vest or poncho? Was there a granny maker in your life? Do you know who gave granny her name or about her origin? Please share your story with us in the comment section.
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Thank you for visiting!
My name is Robin. I am a wife, mother and strong believer in the power of faith. I'm a maker, a crafter and an artist. I love exploring new mediums and sharing my adventures with you.
Did you enjoy your visit? Let me know by leaving a comment. I love knowing you dropped by, and hope to see you again soon!
Be Blessed and
Stitch & Read with Love!
My name is Robin. I am a wife, mother and strong believer in the power of faith. I'm a maker, a crafter and an artist. I love exploring new mediums and sharing my adventures with you.
Did you enjoy your visit? Let me know by leaving a comment. I love knowing you dropped by, and hope to see you again soon!
Be Blessed and
Stitch & Read with Love!
